Daisy Edgar-Jones Remisch

Leave Daisy Edgar-Jones to go from the meeting room to Peak Boho Chic in a few hours. After the actor wore a CEO rock suit from Veronica Leonica Leonica debut Calvin Klein Collection, he turned into two separate looks that channeled the Boho aesthetics in different ways.

Edgar-Jones, from advertising for your new film, On fast horsesslipped into a shimmering dance dress by Saint Laurent. The floor -length piece showed layers of wrinkles and a neckline that was low enough to emphasize the chunky pearl chain of the actor. At the top, Edgar-Jones put a chic trench coat and ended everything with structured black glasses and flat-Sole sandal-a real Bohemian touch.

The Boho qualities of Edgar-Jones’ Saint Laurent-Outfit were found in two important areas: the free-spiritual silhouette of her metallic dress and the bulky, non-matching jewelry with which she styled it. In the past, the actor again did the trend with the help of his leading modern flavors: Chloé designer Chemena Kamali.

Edgar-Jones searched for a yellow and mint green, the French brand, which she revived with a bright blue leather coat. Compared to the Saint Laurent dress of the actor, this mini corresponded more with the types of Boho fashion, which have recently been seen under the celebrity set -especially Chloé, especially for stars -especially if it was carried with the tassel chain, which closes down its chest. The actor gave the look a British twist with Cherry Red Mary Jane Pumps and Retro Gucci Shades.

But it was the accessory Edgar-Jones that were worn on her shoulder and the Boho-Vibe best emphasized. She displaced the Chloé Paddington bag, an IT -Accessoire from Phoebe Philo, which Kamali had brought back for the autumn 2025 season. The wallet is remarkable in its poor structure and the bag glons of locks and spells that you decorate. At that time, the fashion press called the Paddington “the most searched accessory in the history of the fashion business”. Perhaps it will experience a similar fate yesterday thanks to Edgar-Jones’ co-signation.