George Clooney remembers James Earl Jones, who continues the game of the audience

George Clooney once caught in the production of August Wilson von Streuner Fences From the late screen symbol and theater game James Earl Jones, who died in September 2024 at the age of 93.

In diversityClooney remembered Patti Lupone, as Jones, who was the role of Troy Maxson in Broadway production of the 1950s set, in the middle of the middle of the excessive chatter from an audience who happened to be next, in the Broadway edition of “Actors on Actors”, as Jones 1987 Troy Maxson in 1987 corresponded.

“I sit next to two old people who talked all the time,” recalled Clooney. “And James is right at the end of the stage. He is there and he does something Soliloquie, and say the people next to me: ‘What did he say?’ “He said he was crazy because his son …”

Clooney only remembered Jones “stared” into the audience, but he stares at me. Because he can’t see it well enough “and adds,” and they just keep talking. And he says in the middle of the show: “I don’t appreciate this shit.” And I literally pointed this old lady.

The production over breed and breaking of generation flights in the 1950s, which played in Pittsburgh in the 1950s, revolves around Troy Maxson, a former baseball star who is now scratching past as a sanitary worker when he deals with his past and his tense relationship with his wife and son. Jones’ production of the play won a Pulitzer price and four Tony Awards, including a best leading actor prize for Jones.

A monument was celebrated at the beginning of this month in James Earl Jones Theater, formerly known as Cort Theater in Manhattan. Denzel Washington, Phylicia Rashad, Whoopi Goldberg and Courtney B. Vance, which Jones’ son played in Fences, were present to celebrate the deceased Egot winner.

Clooney’s anecdote came after Lupone told the time when she personally confronted with an audience with an audience in the production of Douglas Carter Bean’s beans Shows for days For excessive SMS on your phone during a wide fact, the show.

“I put my right hand on her shoulder and my left hand in her lap and depicted her phone, and the audience saw it,” Lupone recalled. “Some of them snapped to air; some of them applauded. I gave the assistant stage manager who existed to the house manager.”