Dead & Company offer residency debut from Kingfish’s “surfaces” and tease the topic of White Lotus’ in the sphere.

Photo credit: Alive reporting

After a three -week break, Dead & Company entered the stage in Las Vegas’ Sphere on Thursday evening to trigger the second framework of her three -stage residence of 2025. The first stint of the year of the band brought countless memorable moments with a continued celebration of the inheritance of Phil Lesh and the opening performance for their return, which predicted more fan service: With an energetic 19-track performance, the group offered a bust-out out-out-out and residence debut of Königfish “refugee” and for the Careful listeners who offer the topic from the topic that offered the topic from the topic from the topic from the topic from the topic from the topic from the topic from the topic from the topic on the topic. The white lotus.

Dead & Company stormed the stage with a fiery treatment of “Feel Like a Stranger” and started a quick and focused first set when they followed with the higher but no less effective “uncle John’s band”. The sextet by Bob Weir, John Mayer, Mickey Hart, Oteil Burbridge, Jeff Chimenti and Jay Lane wasted little time before he brought together in “Cipsication”, the Dead-offshoot led by Weir that the ensemble only appeared once before June 2022. “Slipknot!” And “Franklin’s Tower”, all artistically before a first framework that approached “Sugar Magnolia”.

While Set One was a strong start, Dead & Company with Set Two became tall and packed 12 fan favorite cuts into a quick check of the dead catalog. With the starting pistol of Weir’s “greatest story that it has ever told”, the band screwed through “Bertha”, “China Cat Sunflower”, “I know that they Rider” and an explosive and masterfully precise performance of “Terrapin Station”, then switched on and switched on and into the psychedelic odyssey of “drums” and “space” and “space” and “Space” and “Space” and “Space” and “Space” and “Space” and “Space”. In the first movement of this esteemed nightly rhythm section -ramp light, the setback from Burbridge, Hart and Lane Mike White’s Prestige -Drama series with a surprisingly expanded section of The white lotus‘S urgent topic by the composer of the show (now) of the composer Cristobal Tapia de Veer.

The group came back to earth from the distant “room” with “Wharf Ratte”. For the final passage of the set, they turned to some of the covers that are closely connected to the dead and were drawn in the heavy, haunted “very much by Mr. Fantasy” of the traffic and then slowly built up to another energetic summit with the Beatles’ “Hey Jude” and hope with Bonne Dobson’s “Morgentau”. After the traditional snippet from the vintage Broadcast, which the participants settled in a mighty, retrospective headspace, Dead & Company finally finished the show with “Sunshine Daydream”.

Dead & Company will return to Sphere for the second of three shows this weekend this evening. One of the oncoming highlights of the evening has already been announced when the percussionist Hart took over his social channels last night to show that the massively recognized classic singer Renée Fleming will give her talents to a very special version of “drums” and “space”, “I worked with Renée,” wrote hard on Facebook. “Often with my late popular brother Zakir Hussain in the mix. Some of the best times of my life.”

Tickets and more information about the Spherecy’s Spherecy’s Spherency can be found at Deadandcompany.com.

Dead & Company
Ball – Las Vegas
04/17/25
Set I: Feel like a stranger, Uncle John’s band> Recognition*> Uncle John’s band, help on the way> Slipknot! > Franklin’s tower, sugar magnolia
Set II: The greatest story ever told, Bertha, China Cat Sunflower> I know that you know the driver, Terrapin Station> Room> Wharm Ratte, Dear Mr. Fantasy> Hey Jude, Morning Dew (Bonnie Dobson), Sunshine Daydream
* Sphere debut+ W/ The white lotus THE TEATHER