‘Khakee: The Bengal Chapter’ Series Review: Neraj Pandeys Cop -Drama revolves around an old sheet in Bengal

Jeet in ‘Khakee: The Bengal Chapter’ ‘

The Creator Neraj Pandey, a good cinema student, revises the chapters that trigger the heroicism of men in uniform and tiredness. This is a curriculum in which he scores well. After a fascinating bihar file that led us to the vertebrae of caste and crime in Bihar, Pandey and his creative team continue to the east to open a window over the games that politicians play for power in Westbengalen.

Barun Roy (Prosenjit Chatterjee), a mighty politician and businessman, uses criminals and police officers to stay before the opposition, led by Nibedita Basak (Chitrangada Singh). Ganglord Shankar Barua (Saswata Chatterjee), who risen from poverty in order to achieve under the unfolded popularity, does a dirty job for the Kingmaker. In the politics of fear, however, Baruah alias Bagha loses control of his cave when his two enterprising Akolythen Sagar (Ritwik Biswas) and Ranjit (Adil Khan) do their ego and their ambitions better and shoot two police officers. To clarify the chaos, Roy brings an honest police officer Ajay Mitra (Jeet), for which the ends are more important than a means. But as expected, the plan drops.

At a time when the Communist Party ruled the Roost and Mamata Banerjee appeared as a strong challenger for the red fortress, the series tries to uncover a symbiotic relationship between politicians and criminals in the state for the Hindi belt. The names and situations are fictional, but the purpose is prosaic. In order to overcome the limits of ideas and imagination, Ott platforms are now cooking the same Bollywood dish in a regional pan to create a credible taste. And if writers believe that words are not enough, they cover their limits with blood, gore and some explosions.

After the success of Rana NaiduNetflix has occupied stars from the Bangla film industry to create this Panindian experience from Bengal. The series has a pronounced taste, but Hindi’s ululation does not work. For example, how Maula Maula does not necessarily make a creation -sufi, the visuals of yellow taxis and Howrah bridge do not bend a Bengal soul to a body recycled. And dark lighting does not give a dilettant situation.

In addition, Jeet is not the best choice to lead a Pan-India series in which three profitable Chatterjees-Prosenjit, Parambrata and Saswata-in contain its ranks. Jeet is not bad, but in the middle of players who indulge in layers. Prosenjit is an absolute pleasure in the role of a manipulative politician. In addition to Saswata, it shows how to be under saved without being reduced to a piece of furniture within the frame. They raise the opening stanzas of the series in the Bengalian Hindi and may be responsible for the fact that we expect too much mileage from a vehicle from a vehicle that is designed for an average driver who is satisfied with a few steps of the intestine.

Strangely enough, the series bears their tactics of shock and awe to tell their casting decisions. While the experienced players fade, the relatively fresh faces can bend their muscles. It would have worked if they had brought something in the grace of the experienced players. Ritwik and Adil impress with the representation of the weak bond between the fire and the ice, but do not make themselves indispensable for history. Adil has the voice and presence that the large screen demands and how the find of the series appeared until the authors let it down.

Chitrangada with a sketchy character Savated and fights in Bangla Milieu. Nibedita is the source of fear for the ruling party, but instead of giving a real arch instead of their character, the makers leave them from time to time to say the obvious.

Finally, the series leaves the feeling that Uttar Pradesh, Gujarat and Madhya Pradesh, which do not prove any areas for streaming giants, open chapters in the east and northeast and sell them to log a book about the variety of content.

Khakee: The Bengal chapter is currently streaming on Netflix