Samuel L Jackson selects his favorite west film of all time

Typical western rely almost exclusively on exaggerated heroism, good beats evil and long shots (and look stylish). But not Irreconcilable. The film, in which Eastwood appears in the leading role of the aging and retired Gunslinger William Munny, refused to leave his audience with experiences at the surface level. It wanted them to feel the agony, moral ambiguity and thirst for revenge and violence, but not without recognizing them, recognizing the price for everything. The plot of the film made a significant shift in the western genre, since at that time no other film had dared to exist outside the proven form.

This journey begins as Munny after years of agriculture to look for retaliation for others – prostitutes who wanted to kill a few cowboys after they found one of them despite it – together with another retired Gunslinger Ned Logan (Morgan Freeman), he is unable to stay psychologically on the face. This human humanity, together with Eastwood’s refusal to dramatize its characters or the plot with unnecessary machismo, is what has been done Irreconcilable In 1992 and retains his ability to connect to the audience today.

This explains why Jackson always chooses Irreconcilable as his favorite vest, even during an interview in 2016 Eye for filmPresent Where he promoted The hated eight. The story of the film bravely redesigned the western drama genre and managed to cheat with its audience – a performance that Jackson sees it as a “classic story”.

“You know, men who have reached a point in their life where they understand the kind of tribute they have lived as their life and what the value of life really is. And what it really takes to kill someone and what this tribute is about,” he said.

It was this drive to be a film that told human experience without the glasses tinted by roses, which won Irreconcilable Four Academy Awards at the 65th Oscars in 1993 – The Best Picture ‘and’ Best Director ‘for Eastwood,’ Best Supporting Actor ‘was packed up by Gene Hackman to play the notorious Little Bill Daggetts, while Joel Cox took the “Best Film Editing” home. Of course, this is minus the critical recognition, the preservation of popularity as the best of the genre and his status as a shining jewel in Eastwood’s long -term career of epic masterpieces.

Related topics