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Stevie Nicks called Fleetwood Macs Best Hit Making Songwriter

There are not many bands that had their sound change as drastic as Fleetwood Mac during their flowering. While many people try to change things when they go to the studio, everything was important who was in the band who dictated how they would sound, whether the blues touch by Peter Green, the root angle of Lindsey Buckingham, or the country rock of the dollar-store store they made when Billy Burette steered her in the 1990s. While many people look at this Rumors Era as her main breakthrough, Stevie Nicks always knew that this was only half of the story.

However, if you think about it, many qualifications come with someone who tries to make a “pop” song. Although this means that you want to create a popular song, there is never an easy way to consolidate what this necessarily means without driving the trends in the charts at a certain moment.

And in the case of Nicks and Buckingham it felt as if the mainstream had caught up with her when Fleetwood Mac asked her to join. Nobody had folk rock melodies with as much taste as Led Zeppelin in her bloom a copy of Rumors Right next to their Eagles and Tom Petty Records on the shelf.

It also helps that every member of the band was an experienced veteran of songwriting. While Buckingham had always been a perfectionist when it came to doing his parts correctly to meet what she did, of course. But for all of her volatile moments, Christine Mcvie is overshadowed too often.

Outside of her phenomenal keyboard lines, Christine Mcvie was the one who steered the ship for a while before the duo registered, and that meant that her songs like ‘Over My Head’ had lived up to the time of ‘landslide’ and ‘much more . Rhiannon. ‘And when all the lights came down every evening during her performance of’ Songbird ‘, she had practically developed a mathematical way of not leaving a dry eye in the crowd when she was done.

Although she may not have the recognition that Nicks and Buckingham felt that Christine was the true strength behind her hits and said: “Christine wrote most of the hits for the group – she was the big pop songwriter, not Lindsey or I. It is difficult to do. I can’t sit down and write a hit single and plan you, and no amount of records or music from other people will make you another songwriter. “

This is strange because Christine Mcvie started life as one of the best blues keyboarders of the scene before the band turned a corner. But even if there were still traces of blues in their sound, their game songs like “Little Lies” and “You Make Loving Fun” are always the highlight of watching one of these shows that were shot during their flowering period or even their reunion concert The dance.

And given the fact that she left the band, it is understandable why Nicks believed that they couldn’t go on without her death. It was perhaps the connective tissue that she connected with her bluesy roots, but Christine learned a long time ago that the blues is something that is due to the emotions in music and not the chords they play.

https://www.youtube.com/watch?v=UCGD9DT12C0

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