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The only thing about acting that was frightened by Burt Reynolds

Hollywood Stardom can often be a fleeting thing, and while Burt Reynolds decided for half the largest and mostly bank -capable actor in the United States, he gradually continued to slip the industry conservation regulations as soon as his reign was over.

Thanks to Smokey and the Bandit, Halbtough, The End, Hooper, from the front, Smokey and the Bandit II, The Cannonball Run, Sharky’s MachineAnd The best little horehouse in TexasBetween 1978 and 1982, Reynolds was appointed as the company’s most valuable drawing card for five years.

Together with his work in films like liberation And The longest courtyardHe was firmly anchored in the A list. However, rejected Conditions of tenderness And star Wars Would follow him in the following years after a number of poor decisions, flop films and female financial mismanagement.

Reynolds was America’s film star in America at his climax, Bar None. However, if you look at the names of those who cited the same list before and after him, it is easy to see why he complained about his downfall. The only other actors other than Reynolds who reached the summit between 1972 and 1986 were Clint Eastwood, Robert Redford and Sylvester Stallone.

His mainstream career was by no means as lengthy or successful as each of these three, and he could see how it came. The disadvantage that he is brought into such an undisputed position is that he believed that there were only two options and each of them had the potential to do more damage than benefits in the long run.

“He wants to be seen as a fine actor, but he fears that he cannot cut it” The New York Times 1981. “But he is also afraid to continue smokey, so he crouches his bets. It is a middle ground between Smokey, which he makes with a t -shirt, and a serious film, we say. Midnight -cowboyWhat he fears, he couldn’t do it. “

Reynolds was concerned that if he continued to make the types of action comedies that made him a well -known name, he would not offer him more serious, more interesting or more dramatic parts. Conversely, he was also aware that his reputation as a star so many action comedies made these serious or interesting dramatic parts more difficult, and he was also nervous to play on a risky project outside of his steering house that could be Dent his star power.

It was an existential crisis that there was no simple answer, although it was a matter of course which street Reynolds took. He became less than a decade after climbing on the mountain summit and outside of his Oscar winner in Paul Thomas Anderson not Boogie nightHe never got close to winning his previous position.

https://www.youtube.com/watch?v=izMpovkxxDM

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